Zhuang Hong Yi (b. 1962, Sichuan Province, China) is an internationally acclaimed contemporary artist whose work seamlessly fuses Eastern and Western artistic traditions. Now based in both China and Switzerland, Zhuang's art embodies a unique synthesis of his Chinese roots and the European influences he has embraced since moving to the Netherlands in 1992.
Known for his vibrant and tactile flowerbed sculptures, Zhuang bends and folds hundreds of tiny buds made from painted rice paper to form richly textured, three-dimensional artworks. These floral motifs are central to his practice and reflect his deep connection with nature. As Zhuang explains, "Flowers represent peace, happiness, and prosperity, and we can all read flowers, even if we don't speak the same language." His works invite viewers to reconnect with the beauty and calmness of the natural world, while also exploring themes of happiness, growth, and harmony.
Zhuang’s artistic journey began at the Sichuan College of Fine Arts in China, where he developed a strong foundation in traditional Chinese techniques and materials. However, after moving to the Netherlands in 1992 to study at the Minerva Academy in Groningen, he began incorporating Western elements, particularly bold colors and a more sculptural approach to painting. This cross-cultural blending is evident in his use of bright, daring palettes and precise, repetitive floral motifs, which draw inspiration from both Chinese and Dutch traditions.
His career has spanned decades, with over 100 exhibitions worldwide, including notable solo exhibitions at the Found Museum in Beijing, the Groninger Museum in the Netherlands, the Ulm Museum in Germany, the Erarta Museum in Russia, and a significant appearance at the 55th Venice Biennale in Italy in 2013. Throughout his journey, Zhuang has continued to work from his studio in Beijing, where he returns regularly for inspiration and to gather new materials.
Today, Zhuang Hong Yi's art is celebrated globally for its intricate craftsmanship, bold color schemes, and the emotional depth it conveys. His work, with its recurring floral motifs, stands as a testament to his ongoing exploration of the human connection to nature and his ability to bridge the cultural worlds of East and West.